[Leigh Brackett] â No Good From A Corpse [emergency-services PDF] Read Online Ð myportal.pro

[Leigh Brackett] â No Good From A Corpse [emergency-services PDF] Read Online Ð I gave this one four, but it s closer to 3 1 2 Part of that may be increased expectations Brackett was an incredible screenwriter, a good writer of SF and I d heard great things about this novel And to be fair it was good It s just really not a patch on Hammett or Chandler at their best as I d heard that it might be What I ended up with is a good hard boiled mystery with enough red herrings to keep me guessing and quality dialog.
Very intense noir here There s detectives, hookers, nightclub singers, estranged boyhood friends and wealthy families with jealous siblings The hero gets clocked so many times I started to get sympathy headaches And most interestingly there s a pair of ex cellmates that feel so much like a couple that I mistakenly actually thought they were identified as lovers before I realized we were talking about the nightclub singer.
Anyway, very fun mystery that delivers exactly what the title would imply There is a thread which ties Raymond Chandler, Howard Hawks, William Faulkner and George Lucas together and that is the unusual talent of Leigh Brackett Brackett, whose first novel No Good From A Corpse, caught the attention of Hawks, was brought in to improve the screenplay Faulkner was struggling with Chandler s The Big Sleep among the iconic films of film noir and the film which cemented the reputation of Humphrey Bogart and Lauren Bacall as Hollywood s most sizzling couple Brackett had already written science fiction stories and wrote extensively in the field throughout her life, her last project being the original draft of The Empire Strikes Back in the Star Wars series.
Ed Clive is a private detective in Los A Fast paced, riveting, and well writtenI imagine most people who read this book are established fans of the hard boiled genre, and consider Brackett something of a curiosity, given her better known screenwriting accomplishments I came to this book as a mystery neophyte, knowing nothing of Brackett, just getting into pulp, and choosing this book as a stepping stone on my way to Hammett and Chandler.
The good part about this is I lack the array of tropes and archetypes that might make it easy for mystery fans to dismiss a book like this.
This was a great read The writing is brutal and efficient, and the dialogue crackles with tension The story is tense and commands your attention, although I will bet most readers have the whol A noire detective story with hot and dangerous dames, bloody action and a murder mystery I think Brackett had a lot fun playing with these cliches, and being the master story teller she is, this makes a fun and exciting read.



Great classic noir fiction Duel at the end when all is explained in detail has a minimum of violence but maximum of drama and is as vicious as duel between black and white cowboy or Jedi and Sith master Recommended read for any fan of hard boiled crime fiction.
As detective Ed Clive returns home from one job, only to be thrust into the middle of another One of his childhood friends turned worst enemies, Mick Hammond, is having marital troubles, as Mick and his heiress wife Jane have received threatening letters To make things worse, Laurel Dane is somehow involved a nightclub singer who s in love with Ed, and visa versa, even though they know they re rotten for each other When Laurel winds up dead, Ed and Mick are the two prime suspects while Mick is the one who ends up in the clink, Ed remains under the microscope, the police expecting he had a role to play in the murder To clear his name, and in search of vengeance, he sets out to find Laurel s killer On his journey down dark alleys and across L.
A s oil specked beaches, he ll run This is the part where I admit to never having read any Raymond Chandler and to having last touched a Hammett book when I was like 12, so I m going to try real hard to not talk out my ass about hard boiled and noir But anyway, this came out in 1944 and is, as far as my limited experience can tell, the legit fuckin article.
And it s good, too It s working within what was clearly already an established style, but it has tons of personality, some real visual and sensory vividness and pop, some great moments of dialogue and, uh, what I can best describe as a lovely and symmetrical shape Shape is very important in a mystery they re highly dimensional critters and if they re too far off balance you can feel it I think it would hold up to some re reads, too it s a normal mystery for most of the b From 1944 Written by a notable female pulp writer A good mystery plot I don t know why I didn t like it I just didn t, and it isn t explainable And, to show it is not just my timing here, I tried to read this twice before and didn t want to, then basically forced myself this time.
Legendary SciFi Writer Leigh Brackett Who Won A Posthumous Award For The Screenplay To Empire Strikes Back , Began Her Career As A Writer Trying To Reach The Pages Of Black Mask She Was Never Successful In This, But Her Chandler Influenced Novel No Good From A Corpse Was So Impressive In Its Hard Boiled Dialogue That Howard Hawks Insisted Its Author, Unseen, Be Brought In To Work On The Screenplay Adaption Of The Big Sleep Together With A Fella By The Name Of Faulkner Though Hawks Was Stunned To Discover That Leigh Was A Woman, She Got The Job, And Worked On What Was Probably The Best Film Adaptation Of A Chandler Novel No Good From A Corpse Offers Hard Boiled Private Eye Ed Clive, Who Gets Involved With A Dead Girl, And Suspects Every One Of Her Boyfriends An Ex Husband, A Playboy, A Blackmailer And A Brute There S A Woman Suspect As Well, And A Long Chase Through Sunset Strip

Leigh Brackett was born on December 7, 1915 in Los Angeles, and raised near Santa Monica Having spent her youth as an athletic tom boy playing volleyball and reading stories by Edgar Rice Burroughs and H Rider Haggard she began writing fantastic adventures of her own Several of these early efforts were read by Henry Kuttner, who critiqued her stories and introduced her to the SF personalitie